princeofswing wrote: ↑Fri Jan 14, 2022 11:02 am
Does DVR not have this issue? I'd probably take a look at switching (though moving over projects will be a pain) if that part was a seamless one-click thing.
Resolve free version is nearly identical to Resolve Studio (The paid version, which is worth buying.) I used Free for years, and my purchase was mostly a thank you. There are some improvements technically in how well the Studio version performs its internal work, so Studio calculates some things faster than Free does.
Resolve doesn't have the issue you described. My longest Beatmeter Generator export comes in at >58,000 frames, which Resolve took in as one 40 minute video clip, which I manipulated and sequenced like any other clip.
3xTripleXXX wrote: ↑Fri Jan 14, 2022 2:56 pm
Another vote for DVR here. I switched to it from Premiere Pro/After Effects, and so far it does everything I need, and the free version has been plenty sufficient so far. And even if you were to buy it, it's a one time fee that's pretty reasonable. I haven't done a really long project in DVR yet, but so far I haven't had any troubles with importing an image sequence from BMG.
I've gone past one hour on multiple timelines. My first timeline, a never-released fuck about in Resolve 12, is more than two hours.
My current project started as a BMG+Resolve, but I've gotten into some repetitive work that can't be automated on that workflow, so I'm looking at doing with Reaper what the past CH creators did in Vegas and Premier. What I've found is great, but I would still recommend the BMG+Resolve pairing for new creators, until I/we make and document something as easy.
Iridescence wrote: ↑Fri Jan 14, 2022 1:45 pm
Thanks for the tips ! my solution was your last one, zooming while its moving but I will definitely try the others. Can't believe I didn't think about the extra beat at the far end. Cheers!
No problem. Also note that BMG needs a past-end beat on every rendered track. BMG 0.3.1 will prematurely end the flying beat animation for the last beat on a track, so you need a past-end beat that you will later cut away in the rendered clip.
Corel software is worth playing with if you happen upon it, have a professional need for it, or catch something like a Humble Bundle deal. Nothing that it does is necessary or necessarily better than Resolve for sequencing audio and video. If you have it, then its best use here would be some artistic effect. You should still be switching to Resolve for what it does better.