Yeah, trying to go beyond basic rhythms on 4/4, 6/8, and 8/8 never works out well. There's a round (the source of which I can't recall right now; might have been Hand to Gland Combat 2) that had a pattern so weird that even though it was the only pattern in the round, I still can't do it after a few playthroughs.book_guy wrote:I really hate having to "stress about beats," as mentioned. I don't really get too stressed when I fail to match them, but sometimes my failure to match them is ENTIRELY due to the craziness of the creator. Either, they're unpredictably out-of-whack -- like, basically, trying to sing along with a song that I've never heard before...
This is why I prefer having a beatmeter. It gives something to refer back to if the attempt at using words is a complete failure. To me, the only other sensible way of describing beats would be something like "1-3-567-" where each on beat gets its number within the measure and each off beat gets a hyphen. This works best with a highlight effect as the beats occur to indicate the pacing being used, though having an added beat sound also helps. It's also annoying when a creator tries to use this, but changes the pacing (counting half notes vs quarter notes, etc) halfway through.book_guy wrote:...
For CH rhythms, one of my biggest pet-peeves is when beats are simply unintelligible. ...
Point of discussion: suppose you're at a steady 4 strokes per measure, and a break starts. Do you find it more natural to include the first beat of the bar on the break, like 1-3-5-7-1-3-5-7-1-3-5-7-1-------, or to not include it? I haven't decided either way for myself, but I've seen videos with each convention (and a few that switched).



